Writing and Collage

C.V.

Michael Joshua Rowin—Curriculum Vitae mjrowin@ufl.edu

414 NE 5th Ave., Apt. #2 4008 Turlington Hall Gainesville, FL 32601 P.O. Box 117310 914-275-1058 Gainesville, FL 32611

 

Education

 

University of Florida, Department of English, Film and Media Studies

PhD Expected                                                                                                                               5/2016

Dissertation: Aural Assault: Noise, Perception, and Politics in the Cinema

Committee: Barbara Mennel (chair), Maureen Turim, Anastasia Ulanowicz, and Eric Kligerman

 

New York University, Tisch School of the Arts, M.A., Cinema Studies                                     5/2004

 

University of Rochester, B.A. (with Highest Honors), Film Studies                                                       5/2002

 

Fellowships, Grants, and Awards

 

Graduate School Fellowship, Department of English, University of Florida                               8/2011 - 5/2016

Travel Grant, Graduate Student Council, University of Florida                                                              3/2015

Conference Grant, Society for Cinema & Media Studies                                                                                     3/2013

Barbara J. Rubin Award for Excellence in Film Studies, University of Rochester                                                5/2002

 

Selected Publications and Articles

 

Articles

 

“Stella! The Anarchic Peak of the Wet Hot American Summer Gang.” Brooklyn Magazine. August 3, 2015. Online.

“Everyone’s Everyone: Michael Joshua Rowin on Synecdoche, New York.” Reverse Shot. July 4, 2010. Online.

“Flashes of Brilliance: A Brief History of the Flicker Film.” Moving Image Source. June 11, 2009. Online.

“Caught on Camera: The Photographic Investigations of Blow-Up and (nostalgia).” Moving Image Source.

April 21, 2009. Online.

“The White Negro (After Norman Mailer): 2008 Remix.” The L Magazine. September 17, 2008. Online.

“Game Theory: How We Turn Sports Into Stories.” The L Magazine. July 2, 2008. Online.

“This Magic Moment: Michael Joshua Rowin on Mulholland Drive.” Reverse Shot. July 27, 2006. Online.

 

Book Reviews

 

Brakhage’s Childhood. Jane (Brakhage) Wodening. Film Comment. Forthcoming.

Sound, Speech, Music in Soviet and Post-Soviet Cinema. Lilya Kaganovsky and Masha Salazkina, eds. Cineaste         40.2 (Spring 2015): 78-79. Print.

Film and Urban Space: Critical Possibilities. Geraldine Pratt and Rose Marie San Juan. Film Comment 50.5  (September/October 2014): 79. Print.

Edgar G. Ulmer: A Filmmaker at the Margins. Noah Isenberg. Film Comment 50.2 (March/April 2014): 79. Print.

Manhood in Hollywood from Bush to Bush. David Greven. Cineaste 35.4 (Fall 2010): 66-67. Print.

 

 

Reviews of Films, DVDs, Retrospectives, and Film Festivals

 

Taxi. Jafar Panahi. Brooklyn Magazine. October 1, 2015. Online.

The Clowns. Federico Fellini. Cineaste 36.3 (Summer 2011): 56-57. Print.

“The Films of Alain Tanner.” Artforum. April 12, 2010. Online.

New York Film Festival 2008 Dispatch. Stop Smiling. October 9, 2008. Online.

“Godard’s 60s” and “1968: An International Perspective” retrospectives. The L Magazine. May 7, 2008. Print.

Inland Empire. David Lynch. Reverse Shot. October 9, 2006. Online.

 

Interviews

 

“Crossing Lines: Barbara Kopple.” Barbara Kopple Interviews. Gregory Brown, ed. Jackson: University of Mississippi Press, 1995. Print.

“Pulp Fictions and Hypertexts with Robert Coover.” The L Magazine. April 1, 2010. Online.

“Tom, Tom, All Grown Up: An Interview with Ken Jacobs.” The L Magazine. May 15, 2009. Online.

“Toy Cameras: An Interview with David Lynch.” Reverse Shot. December 8, 2006. Online.

 

DVD Liner Notes

 

“Apocalypse Now” essay, Dillinger is Dead DVD. March 16, 2010.

Essential Art House: 50 Years of Janus Films Box Set. October 24, 2006.

 

Conferences

 

“Fassbinder, Noise, and Politics,” Society for Cinema and Media Studies Conference                           3-4/2016

“Noise and Trash in the Work of David Lynch,” Society for Cinema and Media Studies Conference    3/2015

“The Cinema of Duplicitous Self-Reflexivity,” Society for Cinema and Media Studies Conference             3/2013

“Evocation and Provocation: Norman Mailer’s Revolutionary Subjectivization,” Norman Mailer Society Conference                                                                                                                                               10/2012

 

Teaching Experience

 

Teaching Assistant, University of Florida, Gainesville, Florida                                                          8/2011-present

Film Analysis, Writing About Modern Sound, Writing Through Media, Rhetoric and Academic Research

 

Adjunct Professor, Hunter College, New York, NY                                                              1/2005-5/2011

Film History I, Film History II, Practical Film Analysis, Introduction to Film

 

Adjunct Professor, Westchester Community College, Westchester, New York                              1/2010-5/2011

Intro to Early Film, Intro to Modern Film

 

Professional Service

 

President, Graduate Film Studies Group                                                                                     8/2013-present

Co-organized 2015 GFSG Conference “Teaching 24 Times Per Second: Film and Pedagogy”   2/2015

 

Member, Graduate Film Studies Group

Moderated panels, organized 2013 GFSG Conference “Film & Philosophy: Corpus/Bodies”     2/2013

 

Research and Teaching Interests

 

Film Analysis; Film History; Media Theory; Cinematic Sound Aesthetics & Technology; Experimental & Avant-garde Cinema; Self-reflexivity in the Cinema; Politics & Cinema; Rhetoric & Composition

 

Professional Affiliations

 

Society for Cinema & Media Studies; Sound Studies Scholarly Interest Group (SCMS); Norman Mailer Society